GONE's electronic evolution: Melodies that move
In the pulsating heart of the electronic music scene, few artists have managed to blend melodic depth with cutting-edge production as seamlessly as GONE. With roots that trace back to his early days at the piano and a deep connection to Paris’s vibrant cultural landscape, GONE has crafted a unique sound that resonates with audiences worldwide. Much of his music finds its home on Enchanté Records, where he continues to push the boundaries of electronic music. Fresh off a series of acclaimed performances and a rapidly growing fanbase, we sat down with GONE to dive into his musical journey, the inspirations behind his work, and what’s next on his artistic horizon.
First of all, can you tell us about your musical journey? How did it all start for you?
I started playing the piano when I was 6 years old. I was naturally drawn to this magical instrument and saw it as a toy with unlimited power—I could reproduce all the sounds around me. My parents produced music together on an Atari, and that sparked my interest in creation. When I was 13, my father bought me a second-hand computer, installed FruityLoops, and that’s when everything began. I continued studying classical piano at the conservatory, as well as percussion, while producing electronic music as an escape from the almost military rigor of Bach and Chopin.
Paris has a vibrant music scene. How has the city influenced your music and artistic development?
Paris is such a romantic and futuristic city at the same time. It’s a true inspiration for making music, with all cultures and influences mixed. Also, it’s the capital of fashion, and I really love this aspect. Minimalism and sobriety are a part of my artistic direction.
You performed at OFF Festival Poland alongside well-known artists like King Krule. What do you remember most about this special event?
The energy of the audience was amazing. I received a lot of compliments on my set, which is the ultimate reward when performing a live set composed mainly of your own tracks. My best memory is when the crowd started clapping in unison to my track "Fiction." I realized it needed a music video because it resonated so much. It will be part of my next EP titled "Meteor."
Your live performance at "Le Petit Bain" in Paris received a lot of praise. Can you share some highlights from that event and tell us what gear you used during your show?
First, I met Klangphonics on Instagram. I really love these guys, and they really like my work. They asked me to remix their track "Shapes in the Spray," and I accepted. When I delivered the track, they invited me to play with them at their Paris show, and we sold out!
You remixed Klangphonics' track "Shapes in the Spray." What drew you to that particular track, and how did you approach the remix process?
The main hook was very inspiring, as well as Markus's voice speaking through a megaphone. I started by recreating their hook on the synth with a Korg Prologue, then I let myself be carried by the choirs. I also used a legendary synth in the second part of the track—the Oberheim OBX8, which is like the Rolls Royce of analog synths. Mike Dean used it a lot on "Dawn FM," The Weekend's latest album.
Your latest single "LIES" has been played over 200,000 times on Spotify. What do you think resonates most with listeners about this track?
This track talks about a romantic breakup. It was important for me to share it with my listeners because it’s a significant and intimate stage of my life. It’s also a deep melodic track with a pop structure, and it was an opportunity to assert my voice on this single.
You're set to release a new EP on ENCHANTÈ Records. What can fans expect from this upcoming release?
This project is quite varied, mixing melodic techno and deep melodic elements that characterize my work. My voice plays a significant role on this EP without being too dominant. It’s a fine balance that I’ve managed to find through hard work.
How do you balance your roles as a singer, pianist, and percussionist in your music? Do you have a favorite instrument or aspect of music creation?
I use my voice to add color and lead, bringing a bit of humanity to very electronic music, creating a connection with the listener. The pianist in me helps with harmonies, leads, and emotion. My percussion background helps me construct interesting drums that are simple, groovy, and organic.
Can you share any challenges you’ve faced in your music career and how you’ve overcome them?
I had a significant bicycle accident where I broke my nose, causing a deviation of my nasal septum. It changed my way of speaking and singing. I had surgery and underwent long rehabilitation with a phoniatrist because I could no longer sing and had difficulty speaking. Today, I’ve completely regained my voice and even improved. Nothing is a fatality; that’s the lesson I learned.
Looking ahead, what are your plans and aspirations for the near future? Are there any upcoming projects or performances you're particularly excited about?
I’ll be playing at La Java on October 5th with my team. It’s an opportunity to test my new live show with singing, synths, and surprise artists. I’m also preparing my first album. It’s an important milestone in an artistic career, as it allows me to illustrate a broader vision, mixing several universes on a common foundation. I can’t wait to share what’s next with you!
GONE
https://www.instagram.com/gonemusic
https://open.spotify.com/intl-de/artist/4pKLG10xJB...
Enchanté Records
